诸神下凡三半熟孟婆
《诸神下凡三半熟孟婆》作为“诸神下凡”系列电影的第三部,讲述了孟婆在奈何桥遇上一个痴心于炼丹成仙但又被自己所炼的丹毒死的马晨,马晨对人间以及升仙仍有眷恋,死活不肯喝汤过桥。意外之下,两人坠入轮回池双双投胎转世。转世后的马晨继续重操旧业。另一边,阎王下令孟婆必须等父母寿终正寝才能回阴间,奇丑无比的孟婆便由此踏上了寻夫之旅,由此引发了一系列搞笑、感人的故事。影片在重点刻画反派马晨的同时,将孟婆的姻缘作为电影的感情线,在展示孟婆女汉子形象的同时,还增添了温馨的气氛,使这位从地狱来的使者多了一分人情味!
▶ 立即观看热播推荐
更多 →明星专区
更多 →弗朗切斯科·罗西
田壮壮
格里菲斯
约翰·福特
汤姆.提克威
陈德森
口碑榜
- 1
皇家次子女秘密组织
★ 9.7 - 2
名侦探柯南:独眼的残像
★ 9.6 - 3
德士当家
★ 9.5 - 4
金馆长对金馆长对金馆长
★ 9.4
新片榜
- 1
危境交战
★ 8.9 - 2
西班牙女王
★ 8.8 - 3
凯文·哈特:黑人历史指南
★ 8.7 - 4
致命录像带
★ 8.6
编辑推荐
更多 →即将上映
更多 →养鬼吃人
经典恐怖片《养鬼吃人/猛鬼追魂》将拍新版电影,近日定下导演:大卫·布鲁克纳(《黑森灵》《鬼作秀》)。 原版讲述男子Frank不慎打开了另一个次元,被著名恶鬼“针头鬼”带领的魔鬼Cenobites所杀。而多年后,Frank的哥哥Larry带着妻子Julia,搬到了他已故的妈妈的老宅中,因为一次意外,Larry的血让Frank的尸体重生,也让恶鬼降临……后成了一个系列。新版将从系列第一部开始重启,据称将在忠于原版的基础上有进化。 Spyglass媒体公司打造。Ben Collins和Luke Piotrowski编剧,大卫·S·高耶(《蝙蝠侠:黑暗骑士三部曲》《刀锋战士》)提供故事并参与制片,这个导演、编剧、制片组合也就是今年圣丹斯电影节的热门恐怖片《鬼屋》的班底。
千人之子
故事围绕年届四十的渔夫克里斯托斯托莫展开,他常年独居,深感无子之空虚,渴望成为人父。在追寻真挚深厚情感联结的过程中,他遇见孤儿卡米洛,决定抚养这个男孩,由此构建起一段非传统的独特亲情。本片以“心怀宏愿,终见现实”为精神内核,细腻刻画人际关系中的美好与复杂,探讨关于接纳与重构亲情纽带的生命议题。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.